Cruel Shoes

There isn’t room for one more pair of shoes in my closet. But fortunately I haven’t been out shopping for shoes for a while. You could say it’s thanks to the pandemic. But really? It’s because my feet hurt. And my back hurts. I look at all those beautiful shoes sitting there–the perfect navy blue pumps, my all-time favorite shoes to look at, but the most painful of all; the sexy Italian taupe leather toeless shoes with wooden heels; the fuck-me black high-heeled boots–and realize that every pair has a story. And every story has its shoes.

When I worked as a nurse after college, I wore white nurse shoes. Unattractive but comfortable, probably in part because my feet belonged to a 20 year old, not to a 73 year old woman. I could stand on my feet in them for 8 hours at a time and feel no pain. They were ugly. Not at all sexy. But they were part of the uniform. And I wore them with pride. I wouldn’t mind having a pair of those on my feet right about now.

When I worked as a journalist I wore comfortable flats that worked well with my tweedy reporter look. Brown, boring, but comfortable.

When I had a boyfriend in New York where we trolled the streets at night, I wore the black boots until I couldn’t stand it anymore. I took them off, walked in my stockinged feet back to our hotel and he carried my boots.

When I took my first job in the corporate world, my boss gave me some instructions. “Get your hair cut (I had a big Jew-fro at the time), shave your legs (can you believe it?), learn to put makeup on, and go buy a navy blue wool suit, a white blouse and a red scarf. And get some high heels.”

I kicked and screamed and objected, but he promised me if I did all that and learned his script, I’d make enough money working for him to put my daughter through college. So I decided to try it for six months and see if it really worked. To this day I recall the pain of wearing that dark wool suit and high heels with stockings, in the hot sun, going from door to door, talking to small business owners, so I could pay for my daughter’s education. The pain was worth it. I worked for him for a couple of years and learned everything he had to teach me about looking and acting professional. My daughter went to college and I continued to wear different versions of that same ‘uniform’ for 30 years in my next career as a financial advisor.

Over those many years, I have to admit, I learned to love shopping. I loved dressing up in well-made, beautiful suits and handsome, if painful, shoes. Often I’d come home and realize I’d left my shoes under my desk at work! (My office was across the hall from my home.) But they looked great. ‘No pain, no gain,’ right? Or is it what my high school boyfriend had taught me, ‘You have to sacrifice comfort for beauty.’ In either case, I kept buying shoes. Different shoes looked great with different suits.  Even though they were all black or navy blue. I didn’t need a sales person to convince me. Hems rose and fell over the years. Heels rose and rose. Until one day I realized I was crying in pain.

New Balance became my new best friend. I wore them everywhere except when I was seeing a client. During that time I gritted my teeth, focused on our work together, and felt no pain. But when the appointment ended, the shoes came off. At the end of the day, the suit came off. The shoes came off. The bra came off. The sweats came on, along with the New Balance. It was a huge relief.

And as time went on, as I worked less and less, as I neared retirement, I found myself more and more recapturing my original look. I let my hair grow, I stopped shaving my legs, I stopped wearing makeup, and my many navy blue wool suits and their associated shoes languished in my closet. Now they sit there, abandoned, forlorn, still beautiful, some barely worn, and I don’t have the heart to throw them out or give them away, though I know I’ll never wear them again. Well, maybe, once in a (navy blue) moon.

Charlie

Day before yesterday, legs unsteady, he led Garth on a slow walk, no leash. I wondered what had become of them, walked up to the corner and waited. There they came.

Yesterday, he let us know he was ready. Our hands on him while the vet administered the dose, we cried, cried some more as she placed him in a basket, tucked him in like he was sleeping.

Garth carried him out to her van, we waved goodbye, then took a long walk. We’ll keep talking about him, keep seeing him everywhere we look, keep crying. We’ll get through it.

 

—-

R.I.P. 10/16/20

///

100 words

RetroFlash

In the Abstract

In the Abstract

In the early years of the 20th century a handful of European artists including the Russians Wassily Kandinsky and Kazimar Malevich,  the Dutchman Piet Mondrian,   and a lesser-known Swedish woman named Hilma af Klint began producing art with no attempt to represent external reality.   Rather,  they used shapes,  forms,  color,  and textures to make their art,  and at first their endeavors were seen as a hard-to-define artistic trend.   But eventually these early outliers were recognized as pioneers in what become the growing cannon of abstract art.

I love looking at art and there are many artists whose work I admire – Caravaggio,  Lautrec,  Alice Neel and Lucien Freud,  Diego Rivera and Frida Kahlo,  Renoir and Degas,  John Singer Sargent and Thomas Eakins,  Chagall,  Andrew Wyeth,  Andy Warhol,  Franz Marc,  Goya and Velasquez,  Edward Hopper,  Modigliani,   Mary Cassatt and Berthe Morisot,  Cezanne,  Raphael Soyer and Ben Shahn,  Will Barnett and Jacob Lawrence,  Picasso,  Magritte,  Max Beckmann and Otto Dix,  Van Gogh,  and my favorite artist Edouard Manet.

I don’t know what,  if anything,  all those artists have in common,  but you’ll notice none is an abstractionist.   I don’t like abstract art,  I  don’t understand it,  and can’t help looking for a story line or some deeper meaning when I see an abstract painting.

Once in a museum I was standing in front of a large canvas painted entirely blue and I told a docent I was having a hard time figuring out what it was about.

“Perhaps you can think of it simply as about the color blue.”  she suggested.

So I tried,  but I had no eureka moment about the color blue.

Recently when our friend Belinda was visiting from abroad we took her to MOMA and were looking at the famous Jackson Pollack that my husband loves.

“I don’t like this painting,”   I told her,   “where some see energy and excitement,  I just see chaos.”

”Of course you don’t like it,  she said,   “you’re the near,  organized type,  when you see a mess you want to clean it up.”

Belinda was right!   But tell me honestly,  which painting do you like better?

This one …

i

… or this one?

– Dana Susan Lehrman 

An Unforgettable Ride

Is it really the ride boards that I miss most from the era that preceded our high-tech world? Is it the different channels that existed for making human connections?  Is it the seemingly greater opportunities for adventure, even for risk-taking?
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