The magic’s in the music…*

I’m not much for magic, although I love “believing” the magician, probably out of sympathy for the performer. I don’t try to figure out his or her tricks, and I don’t feel cheated. I tried to watch Guillermo Del Toro’s adaption of Nightmare Alley, an epic novel about the rise and fall from grace of a carnival grifter. But Del Toro’s take on Depression-Era exploitation, superstition, and ignorance proved too grotesque and vicious in its portrayal of carnival “magicians” for me to stomach.

Del Toro’s cinematic magic aside, augury, sorcery, and alchemy do hold a fascination for me. I extend my notion of magic to include the realms of performance, science, healing, and the spirit. Magicians are performers. And some performers are magicians. I think Tina Turner is a magician. Cate Blanchett is a magician. John Coltrane is a magician. Lady Gaga is a magician. Bob Dylan is a magician. They are transformative, shape shifters. They create their own reality.

Magicians are descendants of shamanism. Sha-men and sha-women were typically individuals in collective communities who were unable to fulfill useful roles in hunting or gathering societies. They were often physically or mentally deficient. They had to make themselves useful. Many learned how to become healers. Many learned how to journey to the spirit world. And that is where magic becomes real for me.

*

My mother was a health-conscious woman. Even back in the 1950s, we ate right to keep fit. I stole that line from a book by the nutritionist, Adele Davis. While everyone else brought peanut butter and marshmallow fluff sandwiches to school, I opened my Roy Rogers lunch box to lima bean and cottage-cheese sandwiches on brown bread. Humiliating.

My mother continued her healthy ways through two husbands and a seemingly limitless lineup of smitten gentlemen. At 80+ she gracefully radiated beauty and health and could out-hike me. But, after her second husband died, she moved out of her home in the Sierras to live in an ecologically designed cooperative housing development in Davis, California.

Davis, California is the proud host of U.C. Davis, an aggie school known for its adventurous work in agricultural and environmental sciences. The community surrounding the campus makes a governmental and collective effort towards sustainable living. But just a few miles north of this green, eco-dreamy paradise lies one of the largest tracts of agri-industrial land on the planet. The giant fields are constantly being dusted with fertilizers and pesticides.

My mother loved living in her sustainable condo surrounded by sustainable friends, flora, and fauna. But she began to develop throat problems and a speech difficulty. She was misdiagnosed with mini-strokes. She insisted the doctors were wrong.

The doctors were wrong. My mother was diagnosed with ALS, which stands for amyotrophic lateral sclerosis. ALS, also known as Lou Gehrig’s Disease, is a neurodegenerative disease that affects nerve cells in the brain and spinal cord and leads to a loss of muscular control.

We moved my mother to an assisted care facility in San Francisco where my brother and I could be close by. In her last years, she and I worked hard to resolve all differences. She could not speak so we both took to writing on yellow legal pads. With her throat paralyzed, she also lost the ability to eat. She gradually lost weight and finally, at 87, well ahead of any failing in the rest of her health, she went into hospice.

Fortunately, we had followed her demise closely, so, when the time came, all her children had gathered at her bedside. While the hospice gently counted off the lengthening times between inhale and exhale, she finally released her last breath.

Until then, I had never understood how much energy it took to maintain the life flow. With that final breath, my mother’s body collapsed, imploding upon itself. And in that moment, a lithe, blithe wisp of white, translucent mist danced upward from her body and disappeared through the ceiling. It was there; I saw it. I can still see it. And I heard the music.

I’ve seen Tina Turner, Lady Gaga, John Coltrane, Cate Blanchette, and Bob Dylan prove that “the magic’s in the music…” Because a shaman or woman uses tempo as a bridge between our world and the spirit world. Because tempo is the most essential element of music. Because that translucent wisp that had been my mother for 87 years danced to the music while it danced through the ceiling and out into the cosmos. So yes, I believe in magic.

#  #  #

*Sebastian, John, “Do You Believe in Magic,” 1965

 

 

 

 

The Inexplicable Magic of The Gates

The Gates – Central Park, New York  2005

The Inexplicable Magic of The Gates 

I’m an art-lover and avid museum-goer with what I guess is eclectic taste.   For example I don’t like abstract art.  (See In the Abstract)

And yet though I prefer representational art,  I also like art that’s a bit phantasmic like Franz Marc’s blue horses,  and Marc Chagall’s flying bovines.  (See Chagall’s Cows)

And there are two contemporary artists with radically different styles whom I admire and whose artwork I own.   (See Danielle Mailer, Artist Extraordinaire,  and Our Philip Pearlstein Nude)

I also greatly admire Judy Chicago whose art carries a message that resonates.  (See The Dinner Party)

And I enjoyed the creativity of my parents who were both artists.  (See Still Life and My Father, the Outsider Artist)

But in a class by itself are the site-specific installations by Christo and Jeanne-Claude.  As you may know,  Christo and Jeanne-Claude’s world-famous projects include Berlin’s Reichstag,  the building the couple and their crew wrapped in 100,000 square meters of silver fabric in 1995;  and the 1991 Umbrellas Japan – USA project when they erected over 3,000 giant blue and yellow umbrellas simultaneously in Ibaraki,  Japan and on the Tejon Mountain Pass in California.

Wrapped Reichstag – Berlin

Umbrellas – Ibaraki, Japan

Umbrellas – Tejon Mountain Pass,  California

Both born in 1935 – he in Bulgaria and she in Morocco of French parents –  Christo Javacheff and Jeanne-Claude Denat de Guillebon met as young artists in Paris,  married in 1960 and began working together to conceive,  elicit funding,  and install their environmental projects.

Jeanne-Claude died in 2009,  and Christo in 2020,  and the following year both were honored posthumously in Paris when their former crew wrapped L’Arc de Triomphe in 25,000 square meters of silvery fabric and 3,000 meters of red rope.

Wrapped L’Arc de Triomphe – Paris

But thankfully back in 2005 we New Yorkers got to know them when Christo and Jeanne-Claude brought The Gates to Central Park.

The artists and their crew installed 7,500 vinyl “gates” along 23 miles of pathways in the park and hung panels of orange fabric from each.   Then on February 12,  New York’s Mayor Bloomberg,  with Christo and Jeanne-Claude at his side,  officially opened the exhibit and for two weeks thousands of New Yorkers and tourists walked through the park and passed under The Gates.

Of course the project had it’s detractors – some  felt the installation defaced the landscape or obstructed cyclists or prevented visitors from enjoying the park.   But for me and I’m sure for most of us who walked under The Gates in that grim February weather,  the experience seemed inexplicably magical,  as if a ray of sunlight was following us thru the park!

And it was a constant topic of conversation.   “Have you seen The Gates yet?”,  we asked our friends,  and I even remember asking strangers on the bus.   And day and night Central Park was full of happy crowds.

Each time I was in the park everyone I saw seemed to have the same reaction – an irresistible urge to smile,  and inevitably I bumped into someone I knew,  and I even met my mailman there one day.   And once I passed a guy with a very frisky dog  on a leash.   “She’s not always this excitable”,  he said pointing to the dog,  “she feels the energy and knows something special is going on.”

At that time my friend Shel and I played tennis in the evenings at courts north of the city.   Driving home I’d take the 96th Street transverse through Central Park,  and turn south on Fifth Avenue.   Then driving down Fifth I could see some of The Gates that extended to that corner of the park,  and as I drove by the sight always made me smile.

Then one night coming home from tennis,  I exited the transverse and heading down Fifth I turned my head to look toward the park,  and my heart sank.

The exhibit had ended and The Gates and their inexplicable magic were gone.

 

 

 

 

 

 

 

Jeanne-Claude and Christo

– Dana Susan Lehrman