Johnny never said goodbye… by
(166 Stories)

Prompted By Those We Miss

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Ever lose somebody without saying goodbye? A friend goes off to war, he wasn’t drafted, he enlisted, it’s been awhile, you’ve gone in opposite directions. No rancor, just divergence, then gone.

A girlfriend slides into her father’s car to drive home too late. You lean down, kiss her through the window. She’s so pretty, her eyes glisten in the night light. “See ya tomorrow.”

“Not if I see you first haha…”

The ones you miss, they run away, they go into hiding, they turn into jerks or you treat them badly. They pile up halfway down the mountain with a truckload of heavy equipment. They shoot up and accidentally overdose, fall off a goddamn cliff… They leave you hanging.

My old man never said goodbye. Did he know what he was about to do? He’d given the subject plenty of thought. Had he told me, I might have snapped back. “What, again?”

I suck in my breath. Such impatience, such anger! But it’s scary to watch someone struggle with constant pain; it sucks the oxygen out of the room and nobody gets to breathe. The pain causes fear, the fear can lead to anger, impatience.

It could have been an accident. It could have been a mistake. He’d been in and out of hospitals for years. I imagined him changing his mind too late when no one was around, when there was nothing left to grasp. I can only speculate that fear and anger had become too much for him. He refused to take thorazine; we would never have recognized him. Later that year, lithium came on the market. But by then he was gone, leaving me to sift through shadows.

I wrote this story to recall how Johnny never said goodbye.


Ayer, Massachusetts exists to serve Fort Devens. A sad strip of main street reveals a desperate reliance on the military — trailers for rent, officers’ uniforms for sale, free alterations, too many bars. The used car lot hawks deals for dogfaces. Tattoo parlors, a dentist, too many lawyers’ shingles, a photo shop offers quick pics looking sharp in your regimental scarf and sharpshooters medal, ideal to send back to mom and the girlfriend before they ship you out.

Gus and his old man, burbled down Ayer’s Main Street in the old Plymouth and pulled up to the bus depot’s dirty windows.

Gus broke out of the passenger door like an escaped prisoner. “Give me the keys,” he said.

“What for?” Curious, Gus’ old man sat motionless, letting the engine idle with its loose connecting rod—rap rap rap rap rap.

“The trunk!!! I gotta get my bag out.”

Gus’ old man shut off the engine and climbed out of the Plymouth. Gus stood by, ready to jump out of his shoes, hands rammed into his chinos, holding back his rage.

Johnny pulled the suitcase out of the trunk and handed it to Gus. “There ya go,” he offered.

Gus grabbed the suitcase out of his father’s hands. His old man followed him into the bus station.

Gus crossed to the ticket window. Through the bars, a wizened Yankee scarecrow peered at him through watery eyes.

“One for Philadelphia,” Gus said. “One way.”

Johnny wandered over to the newsstand and began to push a revolving wire bookrack around. The rack squeaked unevenly in the empty terminal. The ticket master looked past Gus, annoyed. The rack squeaked on.

The old Yankee turned his attention back to Gus. “Philadelphia. Can’t get there from here,” he drawled.


“New York. You gotta purchase a ticket to New York. That’s where you connect to Philadelphia.”

Gus pulled out his carefully folded sheaf of bills and peeled off a brand-new, withdrawn-from-savings $20.

His father called to Gus from the bookrack. “Got your ticket?”

The agent turned and selected a ticket blank from a rack on the wall.

Impatient, Gus faced his father. “No. I haven’t “got” my ticket yet. Hold on a minute!”

His old man didn’t offer to pay. It never would have occurred to him. Money meant nothing to him. Not because he had it; he didn’t. But money was a hindrance, an abstraction. He would bounce check after check on the family account until Gus’s mother would wail in despair.

Gus’ old man held up a paperback from the bookrack, but Gus couldn’t see the title. He turned back to claim his ticket and the change. Fourteen bucks to Philadelphia.

His old man called out, his voice thin and personal in the empty terminal. “You ever read this? McTeague?” He crossed toward Gus holding up the book like a question mark.

“Hey hey hey! The newsstand guy leaned out over his stack of Daily Records and Globes, and hollered past the stub of a cigar that punctuated his round face. “You gonna buy that book, or just borrow it for a while?”

Gus’s father jerked around like a puppet on a string. “Oh, yeah. Sure. How much do I owe ya?”

The newsie looked at him, not sure how this man had reached middle age. “How the hell do I know?” Contempt edged his voice.

Gus rolled his eyes in humiliation but apparently the old Yankee ticket agent didn’t give a shit about Gus’s old man—or his absent-mindedness. “One way to Philadelphia.” The ticket master slid the ticket under the grill.

Gus took the ticket and turned around. “Don’t buy the book, Pop. I don’t need it.”

“No, you ought to read it,” he called out. “It’s about a dentist in San Francisco.” He handed the newsstand guy a dollar bill. “Of course, it’s about much more than that. You’ll see. You can read it on the bus.” He handed Gus the book. The back of his hands looked like parchment.

Gus’s eyes began to ache. “Thanks, Pop. I…”

“Have a good time this summer.” Johnny studied a gum-speckled square of the bus station floor. “This Students for a Democratic Society… Why don’t you join a labor union, you wanna organize people? That’s the way to do it. Get ’em where they work.”

“Thanks, Pop.”

“Never mind. You’ll probably learn something.” A diesel roar rattled the terminal windows. Beyond the dirty glare of sun on glass, the silver and red of the Trailways bus glided into view.

“Pop, I gotta go now.”

“Enjoy the book.”

Gus jammed the book into his jacket pocket, and clutched his belongings. His old man followed him to the door and stood there while Gus handed the suitcase to the driver. The driver’s blue uniform shirt bulged over a beer belly; he bent to stow the bag.

Gus couldn’t wait any longer. He climbed halfway up the bus steps and stopped.

The driver navigated his girth past him into the driver’s seat.

Gus looked back down the steps at his father, standing below him in his khaki pants and blue oxford cloth shirt, clenching and unclenching his hands. “Thanks for the ride, Pop.”

The newsstand guy came to the door and called out to his old man. “Hey, mister. You want your change? ”

“Oh, yeah. Sure.” My old man turned and walked back inside the bus station.

Gus climbed the last step onto the bus. The doors closed, the diesel revved. Through the dirty plate glass, he could see his old man talking to the newsstand guy. The bus roared out of the parking lot and his old man faded from view. Johnny never did say goodbye. And neither did Gus.

#  #  #

Profile photo of Charles Degelman Charles Degelman
Writer, editor, and educator based in Los Angeles. He's also played a lot of music. Degelman teaches writing at California State University, Los Angeles. 

Degelman lives in the hills of Hollywood with his companion on the road of life, four cats, assorted dogs, and a coterie of communard brothers and sisters.

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Characterizations: moving, well written


  1. John Zussman says:

    Haunting, this last scene between father and son. Almost meaningless and yet fraught with meaning. Thanks for sharing this.

    • Thanks for slogging through intro and fiction, John. Your note of confusion about Gus and his ‘old man’ reinforces Suzy’s obo above… the intro was written in the moment. The story may seem ‘tacked on.’ Perhaps others will be willing to add helpful feedback.

  2. Suzy says:

    I loved your introductory section. That could have stood by itself.

  3. Betsy Pfau says:

    Your introduction is lyrical, poetic, haunting. What you left unsaid conjures up so many images of remorse and pain. The story is well-written and specific, though I am not sure it packs the same punch as the intro. I feel like I learn about writing just from reading your writing. I came across one of my old essays last week: “What we left unsaid”. I’ll share one of these days.

    • Thank you, Betsy, on both counts. I appreciate the input regarding part two of the entry. I think retrospect lends itself to spontaneity, however carefully written. Obviously I wrote and revised part one in response to the prompt and possibly takes its energy from that ‘in the moment’ thing. In retrospect [sic], the story is part of a larger piece and — as several have observed — feels tacked on. I look forward to reading you ‘left unsaid’ piece.

  4. rosie says:

    I am not sure what to say, but what I do know is that I want to know more about how these two characters got to be who they are and the way they are. The plot seems to just be lurking below the surface of the writing. I would be interested in reading more. There are so many possibilities within this haunted scene.

  5. Thanks for your interest, Rosie. In fact, beyond the introduction, the story of Gus and his ‘old man” is part of a larger tale, still in bits and pieces, but drafted. I’m currently trying to figure out if I want to delve deeper and, if so, how to approach the story.

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